Hints of a quasi-apocalyptic chill seem arbitrary-neither symbolic nor dramatic. The effect is like watching software run itself.. Forced to wait at least half an hour for the skeletal plot to kick in, we have plenty of time to notice the awkward dialogue and slapdash logic.. It has a decent ludicrousness and Mann's one-of-a-kind talent for using digital photography and naturalistic light to complicate and invigorate anonymous spaces.. Mann would rather be coasting the canals or stewing over cri...
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