The logy screenplay, by Luc Besson and Robert Mark Kamen, sags under head-clutchingly banal dramatic scenes. Only Mr. Neeson's appeal somehow survives unscathed, perhaps the most impressive stunt of all.. Because Mills' hyper-competence never seems exciting, it instead becomes giggle-inducing.. Nothing gets taken here except your ticket money.. The concept is lame, and the execution is lame, too. The more the film advances, the less we care about the plot - or anything that happens to anybody, r...
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