The director, Sam Mendes, has taken a pop concept and solemnized it with Freud, which is not, perhaps, the best way of turning Bond into grownup entertainment.. Great heroes are often enhanced by the villains they face, and such is the situation here. To really work, Bond needs great bad guys. Silva is bad at its best.. Like a cover band with more stagecraft than talent, A Nightmare on Elm Street looks good recycling "greatest hits" moments but fails to capture the excitement of the original.. T...
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